Archive for the 'Ladyhawke' Category

Nada Alic

Synesthesia

LadyHawke

Ladyhawke’s Canadian debut was this Thursday as the travelling circus that was the Perez Hilton tour made it’s stop at the Opera House. The show opened with the soulful megababe Anjulie as a quick replacement for the sudden disappearance of Norwegian fury- Ida Maria. I was moderately disappointed by Ida’s absense- I’d never seen her before, but I fell in love with her after ‘Oh My God’ and equally raging songs like ‘We’re All Going To Hell’. Interesting sidenote for Ross (since I know you’re reading this) Ida apparently has synethesia, where she can envision colours when she hears music. Unreal!

Anjoulie was followed by Woodhands who seemed to have the longest..set..ever. It was a constant stream of noise- I was, however, mesmerized by the drums. A Jeffrey-Staresque being galloped on stage soon after with sheer gold fabrics carelessly covering parts that always and absolutely should be covered. With raccoon-like eyes and sufficient ’shut the fuck ups’ to the crowd, the set quickly turned into a bad trip from the Rocky Horror Picture Show. In between songs about diamonds being shoved in places, the Semi Precious Weapons frontman stole cameras and took photos down his own pants (what develops, I’m not sure). Although I understand this is the appeal of a glam-rock band, the excessiveness- the shock value, I try to remove myself from those situations while they’re happening. So for the rest of the set, we left. The fact that kind of music exists makes me inexplicably sad for the current state of music. 

Finally, a meak Pip Brown- better known as Ladyhawke graced the stage. There is a class about her, with the ability to pull off and master 80’s-synth and rock without cheesing it up, and a disarming politeness about her, and dirty golden bangs,  the young Newzealander was badass without the attitude. That kind of girl is what is called a ‘unicorn’ ie- does not exist. Being the frontwoman of a band is a heavy task, especially for babely blondes, but she shared the stage perfectly with her very equally gorgeous bandmates. She’s got that Deborah Harry kind of stage presence, without much movement aside from the firm grip on her guitar and a shy smile. The night ended with ‘My Delirium’ followed shortly after by a swift escape before the half goth/hipster crowd ate me and Monika. To recap: Ladyhawke rules. Perez Hilton and his glam-rock descendents are likely not human. 

ladyhawke

Ladyhawke- Back of the Van

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Ladyhawke- Paris is Burning (Alex Metric Remix)

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Nada Alic

you play like a girl

 l_3e4742893830478691ba91aa0d07ac98lykke li

Aftering mildly experiencing the symptoms of tour-life, specifically that of credibility on the road, I have a deep respect for women in the industry. It’s difficult, whether you’re recognizing your own femininity or not, the dudes do. Such standards are magnified for women musicians, as it has been the hyper-girliness that has prevailed in the past months that has either further perpetuated the stereotypes that all girls want to sing about is dancing, and all their voices are synthesized and all they want to do is dj and wear unitards. Or it may give women a level playing field, proving they can hold their own, but for how long? Specifically, I’m talking about the rise of Yelle last year, a French pop singer whose suggestive lyrics were buried under French, which made songs about magazines and jogging sound sexy. Then there was the wildly popular Lykke Li, a Swedish blonde with a baby voice who gave us ‘Dance Dance Dance’ and the cover of ‘Knocked Up’ by Kings of Leon. Now there’s La Roux, who sings 80’s inspired British electro pop who broke out opening for Lilly Allen this year. Then there’s also Little Boots, who is of course, also British electro pop etcetc, Oh right, then there’s Bat for Lashes who is also British.. and has garnered praise from the likes of MIA, Radiohead and Ringo Starr. Oh, and Florence and the Machine, British, of course.Then there’s Newzealander, Ladyhawke best known for her single, ‘Paris is Burning’. Who else- Lights, Amanda Blank, Jessica Lea Mayfield, Cryptacize, Yeah Yeah Yeahs, etc etc.

They mostly fall under the category of electro-pop music, which I don’t dislike, however I’m wondering about the longevity of their careers and if there is much evolution of their music long after their club days end and it’s no longer cool to wear headbands. Either way, here is a sugary playlist of all those mentioned above. Enjoy!

Yelle- Je Veux Te Voir

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Lykke Li- Dance Dance Dance

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La Roux- Growing Pains

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Little Boots- Ghost

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Florence and the Machine- Kiss With a Fist

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Bat For Lashes- Whats A Girl To Do

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Ladyhawke- Back of the Van

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